Facing Our Misteaks!
I chose two photos taken late last week during a short photo walk, which upon their review, prompted me to think about mistakes. With digital files, mistakes are easier to manage. The way most of us deal with them is by simply pressing the delete key. The file is gone, and as the saying goes, it is out of sight and out of mind, and we feel we got away with something. However, film photography is not so forgiving in our efforts to correct or even to dispose of the printed image and negative. (Currently, I am shooting a roll of color film through my old Minolta 101, so my way of thinking about how I take photos and how I respond to the "clinkers" has been challenged.) When I think about culling a processed film print, I always feel a tinge of guilt and shame as I tear it in half and place it in the wastebasket. Perhaps this is because film mistakes make us physically confront the photo and make a purposeful effort to remove it. (I have never accidentally deleted a film print.) I think my guilt escalates with each wasted film print, because film carries a financial penalty when it is wasted, and the opportunity to capture a well considered composition feels squandered.
Both photos featured this week are mistakes. They are both digital files, thankfully, and not film captures. The top photo failed me because I made the mistake of not knowing what I wanted in a final print. My failure lies in being indecisive about my treatment of the water when I viewed the scene. What attracted me was the way the fall leaves moved across the water. My failure was not settling how I wanted to treat the water. I am not a fan of the milky-smooth treatment of water overused by some landscape photographers. However, I didn't exactly want the look of wildly splashing water, which I felt would be inconsistent with the tranquillity within the overall scene. So I compromised and selected a shutter speed of 1/30th, which was a compromise that failed to deliver. I was caught between maintaining the integrity of the scene and my bias about how water "should be" photographed. My indecision led me to frustration and a poor result.
The second photo was also a mistake, but a mistake of a different sort. While walking to position my camera, I encountered a cyclist who drove by while I was carrying my camera swinging on its wrist strap. This was not an intentional photo, but there is something about it that appealed to me, unlike the first photo. It captured several photos of this accidental cyclist, and this is the one that appealed to me, as it shows a blur of the fall colors and showed enough of the cyclist to suggest energy and movement. Little did I know that the display screen on my camera is touch-sensitive and has the capacity to activate the shutter from the screen, bypassing the top shutter button.
Photography is 90% plus intentional, and it is important to have an intention in mind at the time the shutter is pushed. The lesson experienced this week is that lucky mistakes are also a factor in some photos. I suppose that fate occasionally intervenes just to keep us engaged and humble. My dad frequently repeated the old adage, "Even a blind squirrel finds a nut sometimes." This week I was reminded of that during my photography walk.



