The Hmmm of Street Photography

My photo for this week's blog concerns street photography. The photo was taken at a local farmer's market. I noticed a group of women approaching me carrying fresh flowers while laughing with eachother.  As they grew closer, I hesitated to get a clear shot due to a passerby suddenly crossing in front of the group. This hesitation caused me to be noticed, so I struck up a conversation with them, remarking that they looked like a wedding procession on Main St. They quickly replied that they were on a girl's trip to celebrate the wedding of one of their group next weekend. I asked to take their photo, but the group quickly pushed the bride-to-be to the front where she became my subject for street portrait.

My experience with this soon-to-be wedding party along with my viewing of photographs that others have labeled as street photography, causes me to say, "Hmmm!" My current view is that street photography is a real thing, but I am afraid that much of what is being labeled as street photography is random shooting in search of a meaning.  How many more photos are needed showing a person walking down a street with a nondescript background? Very few of the photos posted on social media under the heading of street photography feature a "critical moment". Few contain any preconceived thought/question from the photographer for the viewer. The concept of street photography is baffling to me because it reminds me of a sleazy politician who proclaims to be all things to all voters. In my mind, it is either something or nothing.

  

This week's photo is an example of that confusion. While many would consider it an example of street photography, I do not. My first attempt to photograph this group of women prior to our conversation may have been an example of street photography. It would have captured the authentic, unscripted joy they were experiencing in the moment against a background of vendors hawking their products. (Kind of a play on the "can't buy me love" concept). Instead, our short conversation changed my photo from an unscripted photo to a posed portrait even though I offered no posing instructions. The presence of my camera tacitly conveyed a message to pose. Consequently, I came away with a nice street portrait of an attractive young woman and her bouquet.

Another concern I hold regarding the practice of street photography relates to the process of photographing people (and especially minors) in public places. One part of my concern deals with ethics regarding the protection of children.  The other part deals with privacy concerns as presented within our current culture which is rife with  distrust of others. Courtesy and transparency help reduce suspicion.  Understanding the current  environment is vital as it relates to our future access to photograph within various venues.

I wish I could tell you what street photography is instead of describing what I believe it is not. In some ways, my thoughts about it may be similar to what former Supreme Court Justice Potter Stewart said about pornography, "I cannot describe it, but I know it when I see it." Presently, I view street photography as a huge ball of tangled Christmas lights that need to be untangled before they become components within a meaningful scene.

I will close with a list of characteristics that I believe are present in my definition of street photography. My list is not offered in order of importance nor is it comprehensive. It's emerging.

-Conveys a decisive moment experience (thought/concept) to the viewer

-Treatment  favors realistic rather than idealistic 

-Taken within a public area preferably a street or plaza

-Can be black and white or color reflecting photographer's intent

-Contains people or animals (to me an empty street or Buckingham Fountain is urban landscape) It is the presence of human response within that setting that is key

-Background, setting, and life blend to create a relationship allowing any of those three elements to play the lead role

-Viewers of street photography may need to be more attentive to relationships with the photo to appreciate it's artistry